《射象》以奥威尔在殖民地当警察的经历为引，借被迫射杀大象的抉择，剖开权力异化下的个体困境，冷峻文字藏着对人性与殖民体系的深刻反思。

A collection of eighteen essays by the author of Nineteen Eighty Four and Animal Farm, etc. these represent the last of his finished work. There is excellent reading here, whether it be the title piece on the English colonial attitude, or his thoughts on books, poetry, cigarettes, a report on a hanging and a death, reflections on Gandhi, a toad, English murder, and other assort...(展开全部)

The first book in the Newmarket Shooting Script Series reissued with new material to coincide with the Warner Bros. theatrical re-release and special 10th anniversary DVD launch of this modern classic. This expanded edition draws from the many new extras that are being created for the DVD, including 90 minutes of commentary by Darabont, documentary material on the making o...(展开全部)

The first book in the Newmarket Shooting Script Series reissued with new material to coincide with the Warner Bros. theatrical re-release and special 10th anniversary DVD launch of this modern classic. This expanded edition draws from the many new extras that are being created for the DVD, including 90 minutes of commentary by Darabont, documentary material on the making o...(展开全部)

作者简介：埃米·赫斯特（Amy Hest） 美国图画书作家，现居纽约。埃米说，她所创作的故事都是当她自己是个孩子的时候想要读到的。写作之余，埃米喜欢散步、骑自行车、看电影和读书。代表作有《晚安吻》《紫色上衣》《当杰西穿过大海》《给里欧写信》等。她曾三次荣获克里斯多夫奖。 绘者简介：珍妮·德斯蒙德（Jenni Desmond） 英国艺术家和插画家，新锐儿童图画书创作者。她毕业于英国的萨塞克斯大学，主修英语和艺术史，并于2006年获得学士学位，后又在安格利亚鲁斯金大学剑桥艺术学院学习，于2011年获得了儿童图书绘画专业硕士学位。 珍妮的作品有《跑得太快的斑马》《流星划过天空的夜晚》《艾尔的树》等。她使用颜料、墨水、蜡笔和拼贴手法进行创作，再用电脑扫描和编辑，尽力让她的画作悦目、漂亮和有趣。她的作品获得了2013年"一看再看"剑桥儿童图画书奖，也获颁英国国...(展开全部)

Master Shots Volume 2

The Liang dynasty (502-557) is one of the most brilliant and creative periods in Chinese history and one of the most underestimated and misunderstood. Under the Liang, literary activities, such as writing, editing, anthologizing, and cataloguing, were pursued on an unprecedented scale, yet the works of this era are often dismissed as "decadent" and no more than a shallow prelud...(展开全部)

The Liang dynasty (502-557) is one of the most brilliant and creative periods in Chinese history and one of the most underestimated and misunderstood. Under the Liang, literary activities, such as writing, editing, anthologizing, and cataloguing, were pursued on an unprecedented scale, yet the works of this era are often dismissed as "decadent" and no more than a shallow prelud...(展开全部)